Style: Hard Bop
Format: LP
Label: Swing (Fr)
Year: 1953
Condition: G+/VG-
What a document. One of Monk first recordings! The vinyl shows noticeable groove wear, quite a few of light scratches and some punctually deeper and audible scratches. Expect crackle and occasional pop that will not overpower the music. The cover has intact upper and lower seams as well as the spine. It shows general ringwear and some pencil marks at the tracklist. Link to a full recording of this album for sale below.
Please check!
LISTEN! (full album rip in low res / 96kbps)
125,00 €
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Style: Post Bop Beauties
Format: LP
Label: Blue Note Inc. USA
Year: 1967
Condition: VG+/VG+
Lovely first pressing of this Post Bop beauty by Hutcherson, Hancock, Cranshaw and Chambers.
An album for dancers (Rojo, Maiden Voyage) and thinkers ( Aquarian Moon, The Omen)
and dreamers alike (Boucquet, When Your Are Near)
LISTEN! LISTEN! LISTEN! LISTEN! LISTEN!
239,00 €
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Style: Modal / Post Bop
Format: LP
Label: Blue Note (Ger)
Year: 1968
Condition: VG+/VG+
German pressing in US cover of ths Hancock classic.
It's his first as a leader for Blue Note. Joined by Ron Carter, Mickey Roker,
Thad Jones and old hands Jerry Dodgion on flute and Peter Phillips on trombone.
Speak Like a Child" translates as "think and feel in terms of hope,
and the possibilities of making our future less impure"
47,00 €
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Style: The Birth Of Spiritual Fusion
Format: LP
Label: CBS (EU OG)
Year: 1969
Condition: VG+/VG+
Nothing but a seminal album and imho one of Miles' best.
Two sidefilling masterpieces for eternal pleasures.
This is the european original in nicest condition.
42,00 €
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Style: Contemporary / Jazz / Fusion
Format: LP
Label: Enja
Year: 1977
Condition: NM/NM
Like new copy of this soulful contemporary jazz gem.
It's okay not to buy it, so i can keep it!
39,00 €
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Style: Jazz con Bass
Format: LP
Label: CTI (US)
Year: 1975
Condition: NM/VG+
Lovely copy of this Ron Carter gem from the mid seventies. He's traveling a similar route as Coltrane on "Olé" or Miles's drawing "Sketches Of Spain" when translating Spanish themes into jazz
lingo. Of course the number one double bass player on the planet makes the trip worthwhile (Hubert Laws on flute blowing us into iberian air). And then Carter adds a cherry on top by gving us a
bass reinterpretation of So What - and that is a jawdropper. For those who like it funky - enjoy that side trip to Arkansas and cool
down...
17,00 €
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Style: Polish Jazz
Format: LP
Label: Muza
Condition: VG/VG (looks VG plays VG+)
Nothing less than one of the holy grails in polish jazz. Led by Jan Ptaszyn Wróblewski on tenor and Wojciech Karolak on piano this seminal recording is one of the finest european jazz records of that time... Vinyl shows surface scuffs but plays great - mostly proper VG+ with lightest background crackle at the beginning of each side and between the tracks. The thin paper cover looks great for that age.
100,00 €
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Style: Universal Music
Format: LP
Label: Impulse Quadrophonic (US)
Year: 1973
Condition: NM/VG+ ringwear
Enter the spaceship and have your mind blown by Herman Sonny Blount aka Le Sony'r Ra!
Please allow me to paste a little anecdote from Ed Michel, the producer of this album:
"I liked mixing at the limit of pain. It was really loud. We mixed it quadraphonically in a relatively small room. Sun Ra was fast asleep and snoring loudly. For some reason, I stopped the tape mid-melody. He woke up, swiveled his head like an owl—walking around the room, checking everything. Then he said,
'You Earthling sleep too much.' He lowered his head and started snoring again."
LISTEN! LISTEN! LISTEN! LISTEN!
63,00 €
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Style: Spiritual Jazz
Format: LP
Label: ABC
Year: 1972
Condition: VG/VG (vinyl shows 3 light scratches, cover shows wear)
Spritual trips into the inner cosmos with Alice and her crew.
Vinyl plays great with occasional pop.
39,00 €
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Style: Free Jazz
Format: LP
Label: Center Of The World
Year: 1972
Condition: NM/VG+
The Center Of The World was formed by Frank Wright and features the reverend himself on single reed instrument, Alan Silva on bass and cello, Muhammad Ali (Raymond Patterson) on drums and Bobby Few on Piano. They're all singing as well. It was described as a "high-energy apex, with Bobby Few's delicately tumbling piano transporting Wright's bluesy wailing to regions of non-stop organic flux, where the music scales peak after peak.
This is the rare promo!
29,00 €
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Style: Modal Jazz
Format: LP
Label: Trend
Year: 1983
Condition: NM/VG tiny wobc, sticker shadow on front
Don't be put off by the production date. This record indeed sounds timeless - well at least not like 1983. In my opinion a fantastic Jazz album in the tradition of the Kenny Clarke & Francy Boland Big Band etc. Among the players: infamous Fritz Münzer (Second Direction) on flute and Chuck Tscheschner (King Pin Meh, Sound Factory Inc.) on bass. Of course Wolfgang Lauth is doing a great job on the vibes.... The album features some wonderful waltzes and even a short trip to brazil.
24,00 €
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Style: Spritual Jazz
Format: LP
Label: Freedom (Ger)
Year: 1968 / 1974
Condition: NM/NM
This is a fantastic sounding Mono reissue of the 1968 recording.
If you're into Jazz you know these guys and have expectations.
Listen to 81st Street and ask yourself why you're spending 180€
on a Pharoah Sanders or a Alice Coltrane album...
14,00 €
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Style: Free Jazz
Format: LP
Label: CBS (NL)
Year: 1972
Condition: NM/VG+
Skies of America is the 17th album by jazz saxophonist Ornette Coleman, released on Columbia Records in 1972. It consists of one long composition by Coleman taking up both sides of the album, played by the London Symphony Orchestra and conducted by David Measham. Coleman himself only plays on a few segments, and there is no other jazz instrumentation.
Disenchanted with the music business after a less-than-enthusiastic response to his music, Coleman took a sabbatical to Montana in 1965.[8] Coleman witnessed a group of Native Americans and it inspired him.
"It was so cold," he said of that time in Montana. "It must have been 2 or 3 below zero, and when I saw the American Indians praying, doing their purity ritual, they looked like their bodies were transparent. All of a sudden, I saw the American Indian and the sky as the same people. It taught me something about religion, race, wealth, poverty, commerce. I said: 'Oh, I'm going to go over to the other side. I only want to be on the side of the consciousness that comes to people naturally."
Coleman began writing sketches of what became Skies of America.
The work features what Coleman called "Harmolodics", a merger of harmony, melody, and movement.
15,00 €
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